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THE ACTOR-DIRECTOR COOPERATION ON CREATION OF DRAMATIC CHARACTER
Šanda, Václav ; TÖPFER, Tomáš (advisor) ; KORČÁK, Jakub (referee)
In my thesis I would like to describe the relationship between the two of the most cardinal professions that take part on the creation of a theatre production. A director is the person who creates and influences the most the idea, thoughts and genre of the production; and an actor is the one who embodies all of this on stage. I want to try to clearly demonstrate difficulties or, in the other hand, inspirational sources, which the actor is dealing with during creation of a role, depending and changing in relation with the director. As a basis of this work I chose my personal experience with two directors, whose stance during the work and relation to the actor is strongly different. First of them is Ladislav Smoček, director and playwright of Cinoherni klub. Then I would like to mention principles of cooperation with director Pavel Khek. In the first part of my thesis I want to make brief insight into history of direction and try to describe basic evolution of actor-director relationship. My goal is not to present comprehensive survey of direction history. My goal is to refer to different approaches and changes in actor-director cooperation.
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ON THE EDGE BETWEEN DISTANCE AND SELF - IDENTIFICATION
Kraus, Adam ; KUDLÁČKOVÁ, Jana (advisor) ; MRKVIČKA, Ladislav (referee)
The title of this work ?On the edge between distance and self - identification? refers to the problem that Adam Kraus is dealing with for some time. Kraus reflects his own experiences that he got at acting classes, on his internship in London and even during his first experience in stage direction. Although it´s not easy to move on this edge, he explores the conflict between his inclination to analyse things and to approach them in a critical way and between his need to identify himself with the character he creates. He tries to find the essence of this conflict and to find a way out of it that could develop his creative potential.
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Theatre Layering
Dušková, Linda ; KLÍMA, Miloslav (advisor) ; MAKONJ, Karel (referee)
The master thesis named Theatre layering attemps to reflect the specific
moments during the preparation of theatre performance, that could influence the
interpretation of dramatic text. The author of this thesis is concerned with
using of text, image and music for theatre work bordering the interpretative and
non-interpretative approach. In the analysis she used the experience of her own
directing-dramaturgical work during the studies at DAMU.
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